PROMO_OPERA_OPERA_TVE_ESP_RECITAL-ALFREDO-KRAUS_1998_TODO
Datos

principal

Alfredo Kraus at the Teatro Real

Various authors
listado

Concerts
1h 52m
Spanish , Italian
SD

In an era marked by haste and the need to reach the quickest goals immediately, Alfredo Kraus knew how to install prudence and moderation among his objectives. Intelligence begins with the discovery of his vocal capacity, continues with the choice of the appropriate repertoire and ends with the controlled distribution of his possibilities. The coherence of her professional career is decisive. Out of almost 40 operatic roles, about twenty are enough to cement his legend, all sung in Italian or French and therefore belonging to these repertoires. Youthful personalities, passionate and prone to amorous sentiment, entities that facilitate the best weapons of his singing: elegance, flexibility, fluidity, spontaneity, transparency of sound, subtlety and ease of ascent to the high register, qualities that have remained untouched, with the logical changes brought about by age, throughout his long career.

 

Kraus impresses us for many reasons, but especially for the characteristic timbre quality, the fantasy of his phrasing, the display of his regulation, the naturalness of his legato and the perfection of his line.

 

Fernando Fraga 

Conductor | Rolf Reuter

Alfredo Kraus, tenor

Principal Orchestra of the Teatro Real

 

Program


I

Gioachino Rossini (1792-1868)

L’italiana in Algeri: Overture

Gaetano Donizetti (1797-1848)

La fille du régiment: “Ah, mes amis”

Wolfgang Amadeus Mozart (1756-1791)

Don Giovanni: Overture

Friedrich von Flotow (1812-1883)

Martha: “M’apparí” (“Ach, so fromm”)

Giuseppe Verdi (1813-1901)

La forza del destino: Overture

Pablo Sorozábal (1897-1988)

La tabernera del puerto: “No puede ser”

 

II

Georges Bizet  (1838-1875)

Carmen: 3 Preludios

Gaetano Donizetti (1797-1848)

Lucia di Lammermoor: “Tombe degli avi miei”

Daniel-François-Esprit Auber (1782-1871)

Fra Diavolo: Overture

Francesco Cilea  (1866-1950)

L'arlesiana: “È la solita storia” (Lamento de Federico)

Gioachino Rossini (1792-1868)

Il barbiere di Siviglia: Overture

Jules Massenet (1842-1912)

Werther: “Pourquoi me réveiller”

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