Elizabeth Kenny y Nardus Williams
Datos

principal

Nardus Williams & Elizabeth Kenny

Varios autores
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Concerts
1h 3m
Italian
FULL HD
Production

An evening of song without a piano? This is what we can look forward to at soprano Nardus Williams’ debut at LIFE Victoria, in what promises to be one of the most interesting performances of the festival, accompanied by Elisabeth Kenny on the theorbo. Song in the form of madrigals composed by better-known figures such as Monteverdi or Caccini, and others who deserve to be rediscovered, such as Frescobaldi, Kapberger or Strozzi. This latter composer employed the art of song in a very modern way, placing herself – or at least her fictional persona – at the centre of her songs, just as most singers in the world of pop do today. This is how Elisabeth Kenny explains it in the Wigmore Hall programme, where they presented this programme just over a year ago. An evening of emotions before the Lied, which will allow us to see that these have not changed at all since the 16th century. Song before the Lied.

Nardus Williams, soprano

Elizabeth Kenny, tiorba

 

Programme


I

Barbara Strozzi (1619-1677)
Tradimento de Diporti di Euterpe Op. 7
L’Eraclito amoroso

Francesco Rasi (1574-1621)
Ahi fuggitivo ben, come sì tosto

Bendetto Ferrari (1583-1643)
Voglio di vita uscir

Alessandro Piccinini (1566-1638)
Ciaccona

Claudio Monteverdi (1567-1643)
Quel squardo sdegnosetto SV247

Sigismondo D’India (1582-1629)
Lamento d’Olimpia

II
Girolamo Frescobaldi (1583-1643)

Così mi disprezzate

Alessandro Piccinini
Toccata cromatica

Barbara Strozzi
Ardo in tacito foco

Girolamo Frescobaldi
Maddalena alla croce

Giovanni Girolamo Kapsberger (1566-1638)
Canario del Libro primo d’involatura di lauto

Barbara Strozzi
Gite, o giorni dolenti Op. 2