Choreographer John Neumeier created his version of Sommernachtstraum in 1977 and the piece has been a steady part of the Hamburg Ballet's repertory. Proof lies in its unique and thoughtful, virtuosic approach to developing drama. After all, the complex mixture of musical layers would be worth a separate panel discussion.

Felix Mendelssohn Bartholdy's atmospheric musical score for Sommernachtstraum reflects the world of the mortals, while Györgi Ligeti's siren-esque organ pieces bring to mind the fairy kingdom depicted in Shakespeare's play.
The craftsmen's dance is underlined by dominant opera paraphrases for the barrel organ which satirize even the noblest melodies.
As with the musical layers, together with his stage- and costume designer Jürgen Rose, Neumeier mixes the historical settings cleverly.
What would be more suited to the sounds of Mendelsohn's score than a sweet Biedermeier set? An olive tree is a perfect symbol of the antique, mythology and fairy tales in one.
John Neumeier's A Midsummer Night’s Dream always has been a wonderful representation of an full-length classical ballet made in the ladder half of the 20th century, the 1970s in Germany.