PROMO_OPERA_OPERA_TR_O-LIMPIO_MADAMA-BUTTERFLY_2017_TODO-GRATIS
Datos

principal

Madama Butterfly

Giacomo Puccini
listado

Opera
2h 30m
Italian
FULL HD
Spanish , English
Production

Madama Butterfly, one of the most staged operas in the whole world.  

 

The tragic story of the geisha Cio Cio San, better known as Madama Butterfly, touches all audiences. Puccini’s innate talent narrates the terrible conflict between two irreconcilable civilizations. This time the story is told from a different angle. Stage director Mario Gas sets the story in a 1930s cinema set. He narrates the poignant drama from three simultaneous perspectives for an even more marvelous experience of this classic by Giacomo Puccini.

Tragedia giapponese in three acts

 

Music by Giacomo Puccini (1858-1924)

Libretto by Giuseppe Giacosa and Luigi Illica, after the play Madama Butterfly by David Belasco, after a short story by John Luther Long

Premiered at the Teatro alla Scala, Milán on February 17, 1904

Premiered at the Teatro Real on November 20, 1907

Production of the Teatro Real

Titular Chorus and Orchestra of the Teatro Real

 

Artistic team


Conductor | Marco Armiliato

Stage director | Mario Gas

Set designer | Ezio Frigerio

Costumes designer | Franca Squarciapino

Lighting designer | Vinicio Cheli

Chorus master | Andrés Máspero

 

Cast


Madama Butterfly (Cio-Cio-San) | Ermonela Jaho

Suzuki | Enkelejda Shkosa

Mrs. Kate Pinkerton | Marifé Nogales

B.F. Pinkerton | Jorge de León

Sharpless | Ángel Ódena

Goro | Francisco Vas

Prince Yamadori | Tomeu Bibiloni

Uncle Bonzo | Fernando Radó

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EXTRAS

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Teatro Real
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José Luis Téllez analiza 'Madama Butterfly'

Extras
Teatro Real
Giacomo Puccini
-

El Teatro Real presenta Madama Butterfly, de Giacomo Puccini, una de las óperas más representadas en los escenarios de todo el mundo. La trágica historia de la geisha Cio Cio San, mejor conocida como Madama Butterfly emociona a cualquier público por el talento innato de Puccini. Una historia que narra la dura lucha entre dos civilizaciones irreconocibles. La historia está situada, esta vez, de una manera diferente a través de la dirección de escena de Mario Gas que sitúa la narración en un plató de cine de los años 30, con el que propone tres perspectivas simultáneas para poder disfrutar aún más de este clásico conmovedor firmado por Giacomo Puccini.

Punto de partida
Las esposas temporales eran una realidad extendida en el Japón de finales del XIX. Occidente, con Estados Unidos a la cabeza, había establecido relaciones diplomáticas y comerciales con el país a mediados de siglo, y la fascinación por la cuna de las geishas se había extendido como la pólvora. La influencia de Oriente –un oriente imaginado desde la lejanía– se plasmaría en obras de una amplia paleta de artistas europeos y norteamericanos, y seguiría nutriendo la vida cultural occidental hasta bien entrado el siglo XX. En esta línea, el personaje de Butterfly es una cruda encarnación del conflicto entre dos civilizaciones irreconciliables, una de las cuales avasalla a la otra. Hombre de finísimo instinto teatral, Puccini retrata de manera magistral la fragilidad de una geisha enamorada que ingenuamente se cree correspondida por un apuesto oficial de la marina norteamericana, en una partitura en la que se evocan melodías japonesas tradicionales convenientemente armonizadas. El fiasco que supuso el estreno de Madama Butterfly en Milán no hizo cejar al compositor en su empeño de sacar adelante la que él mismo consideró su obra más sincera y expresiva. El tiempo acabaría dándole la razón. Mario Gas sitúa la historia en un plató cinematográfico en los años 30 y propone tres perspectivas simultáneas a través de las cuales vivir este drama conmovedor: la ópera en sí, la grabación cinematográfica que se hace de la misma y su reproducción en blanco y negro en una gran pantalla.

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-

El Teatro Real presenta Madama Butterfly, de Giacomo Puccini, una de las óperas más representadas en los escenarios de todo el mundo. La trágica historia de la geisha Cio Cio San, mejor conocida como Madama Butterfly emociona a cualquier público por el talento innato de Puccini. Una historia que narra la dura lucha entre dos civilizaciones irreconocibles. La historia está situada, esta vez, de una manera diferente a través de la dirección de escena de Mario Gas que sitúa la narración en un plató de cine de los años 30, con el que propone tres perspectivas simultáneas para poder disfrutar aún más de este clásico conmovedor firmado por Giacomo Puccini.

Punto de partida
Las esposas temporales eran una realidad extendida en el Japón de finales del XIX. Occidente, con Estados Unidos a la cabeza, había establecido relaciones diplomáticas y comerciales con el país a mediados de siglo, y la fascinación por la cuna de las geishas se había extendido como la pólvora. La influencia de Oriente –un oriente imaginado desde la lejanía– se plasmaría en obras de una amplia paleta de artistas europeos y norteamericanos, y seguiría nutriendo la vida cultural occidental hasta bien entrado el siglo XX. En esta línea, el personaje de Butterfly es una cruda encarnación del conflicto entre dos civilizaciones irreconciliables, una de las cuales avasalla a la otra. Hombre de finísimo instinto teatral, Puccini retrata de manera magistral la fragilidad de una geisha enamorada que ingenuamente se cree correspondida por un apuesto oficial de la marina norteamericana, en una partitura en la que se evocan melodías japonesas tradicionales convenientemente armonizadas. El fiasco que supuso el estreno de Madama Butterfly en Milán no hizo cejar al compositor en su empeño de sacar adelante la que él mismo consideró su obra más sincera y expresiva. El tiempo acabaría dándole la razón. Mario Gas sitúa la historia en un plató cinematográfico en los años 30 y propone tres perspectivas simultáneas a través de las cuales vivir este drama conmovedor: la ópera en sí, la grabación cinematográfica que se hace de la misma y su reproducción en blanco y negro en una gran pantalla.